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Linda’s January President’s Letter

Linda Graham

They say that the end of the year is for reminiscing and the New Year is the time of new beginnings.  I fell into an entrenched crevice in my brain this morning as I was thinking back on my years in photography.  Mine all started in 8th grade with a science project when I decided I wanted to learn about darkroom techniques.

At that time I didn’t even own a camera but because it was a science project my parents got me a Brownie camera and flash (remember those burning hot flash bulbs?) and very basic darkroom equipment.  That was all I needed to acquire my lifelong interest in photography.  My darkroom was the area under the basement steps.  I placed a black length of material over the opening so that no light could enter.  I was setting up my darkroom red light –screwing in the bulb- when my dad decided to plug it in for me.  Since my hands were on the metal turnings it was a very electrifying experience.  From that point on, it was a learning experience.  My prints were small since I didn’t have an enlarger but I was proud of every one of them.  Even at that time my photos were almost entirely nature shots.  I think I had a huge box full of different cloud formation photos as well as photos of various plants and animals.

My time in college was spent away from my camera but after I got my first degree I went right back to my photography, although for several years the pictures were family photos. I hated paying for photos that did not turn out, something I never discovered till after I had picked them up at the store. I no longer had time to develop my own shots.  Therefore, my nature shots were few and far between.

When digital cameras arrived I was one of the first to embrace them.  I could take pictures and just delete those that didn’t depict what I desired.  That was such a blessing when taking nature shots, as at times it took me many shots to get the one I would like to keep.  Then I acquired a computer program that could fix and enhance photos.  I was ecstatic.  The first program was very basic but I eventually worked up to Photoshop and now my only hindrances seem to be lack of time and at times a lack of imagination and mental imagery.  My only question now is – what great things will the future bring?  Bring them on, I am ready for them.  I just hope the glimpse of my past brought some fond memories back for you too.

Speaking of great changes and the future, I wanted to mention our January meeting.  Our website is being revamped by Stacy Carlson and Jim Atkins; the focus of the meeting will be an introduction into the new and exciting things that will be available.  See you all there.

Linda Graham

N4C December Newsletter Now on Line…

You can now download the N4C December 2010 newsletter.

N4C December 2010

The Magic Yellow Box by Steve Trout

When I was a kid in the fifties, my dad used slide film for family photos. That was pretty unusual since most folks back then favored print film. It usually took a month or two to finish a roll of film and then we waited another agonizing week for the lab to develop the film and return those small cardboard vignettes of our life! When dad bought Kodachrome brand film, the slides came back in the “yellow box.” And magic indeed was the night dad got out the Montgomery Ward slide projector, set up the gigantic 40 inch screen and proceeded to mesmerize us with the bright, sunny records of what we had done and where we had gone. When I got a little older, he even let me run the remote control! We could make 36 slides last an hour or more. After all, what other entertainment compared? There were only 3 TV channels in those days and where we lived, we could only get two. And those were on a small, grainy b/w screen that was a pale substitute for Kodachrome.

After graduating college in 1972 and becoming serious about photography, I naturally used Kodachrome. After all, Paul Simon wrote a song about Kodachrome. Who would not want those nice bright colors, the greens of summers? Even a state park in Utah is named after the film.

Kodachrome was invented in 1935 by two musicians, Leopold Godowsky, Jr.   and Leopold Mannes . Maybe that is why the film had magical, lyrical properties?

It reigned supreme for 50 or more years. It had legendary sharpness and color but the chemical process to develop it was a nightmare. National Geographic would buy an entire production batch to ensure the same color for all their stories. Steve McCurry shot The Afghan Girl with Kodachrome. The film has amazing archival properties and Kodachrome slides will be around long after digital photography has evolved into the “next thing”. A Kodachrome 35mm slide contains about 20 megapixels worth of data, a figure only recently attained by digital cameras.

The first numbing blow to the venerable film came in 1990 when Fuji introduced Velvia film. I myself joined the thundering stampede to the beguiling new film in the green box, but felt a bit of angst in doing so.

The final knockout punch was of course, the advent of digital.

Kodak discontinued making Kodachrome in June of 2009. But you could still get it developed at Dwayne’s Photo lab in Parsons, Kansas. They were the last to offer the technically demanding process.

But alas, on New Year’s Eve, 2010, Dwayne’s will develop the LAST roll of Kodachrome forever. Beyond the souvenir t-shirt that Dwayne’s is offering, what would Paul Simon say? What would the two Leopolds say?

It seems fitting that a small town in the middle of America represents the final resting place of our old friend. Kodachrome was a thoroughly American product as it captured a country’s journey for half a century. It has earned a well-deserved rest. But while it no longer graces the camera store shelf, it remains forever in my memory as the magic yellow box that made us think all the world’s a sunny day!